The Pink Curator

Noa Artemisia Clare

Historian, Artist, Writer, Rider

About

"I saw the angel in the marble and carved until I set him free." - Michelangelo

Born in Chicago, I took on a fascination with art and the marvels of the world from a young age, having been distracted in class doodling, and digging holes for fossils and treasure. It was little wonder I decided to make a career out of it, and pursued art history, anthropology, and the fine arts at Gettysburg College and the University of Glasgow.I've been an avid equestrian over the years as well, competing in the hunter/jumper world and trying other disciplines. I still have my childhood horse I grew up with, Gatsby, and my new guy, Grogu. My love of horses manifests in my professional career, and I have worked primarily as an equine artist, equine historian, and consultant for horses in media.At present, I work as the Curator of Exhibits at the International Museum of the Horse at the Kentucky Horse Park, and continue to write, make art, and offer my knowledge and services outside of that.

Publications

• Chariot Racing in Games – Horses, Representations and Untapped Potential

• Aurora: A Painting of the Coming Dawn

• A Look Inside Kentucky Horse Park Museums

• The City: Art and the Urban Environment

• Do you believe in luck? Why horseshoes are considered to be lucky in Kentucky

• A Perfect Fit for the International Museum of the Horse

Inquiries

I offer art commissions and freelance consultancy depending on availability and the project. For artwork, please email me for pricing and availability.I am open for projects requiring historical equine or contemporary equine insight and content.Please write to me at [email protected]

Artemisia of the Arts!

I am available to guest lecture across topics on Art History, Anthropology, and Equine History, and have delivered talks and taught at institutions and colleges across the world. These can be provided in-person or online.Looking for a way to bring fun, educational, and artistic programming into an event or a classroom? I am also delighted to introduce my new availability in providing a table to engage and demonstrate how historical art materials are made and put into use. Participants can try their hand at Renaissance paint-making, and learn about some of the rare-- and deadly!-- ingredients that were used at the time. The interactive table can be delivered costumed and in-character, or otherwise.Please write to [email protected] for availability and pricing.